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Skärmavbild 2025-05-09 kl. 08.48.15

Saturday, 09:07. The subway rattles softly along the tracks, its few passengers sluggish from the summer heat, with one exception. A woman is sitting in the back, trembling, eyes wide with terror. A scream pierces through the thick air. A bomb. She has a bomb. The bomb vest strapped to her chest counts down as the impending doom nears. Five. Four. Three. Two. One.

The explosion shakes the capital, dulling the bright day and cloaking the sky in a thick haze of smoke. The city reels in shock, and Oslo is immediately set on lockdown with all national units called in. Holger Munch’s elite team quickly starts to investigate the attack. They are joined by the bright and promising Mia Krüger, who has just dropped her sister off at a rehab.

Mia quickly realizes that something doesn’t add up; the woman was a successful lawyer at a prestigious firm and witnesses describe her as being frozen in fear. Mia and Munch cannot fathom what possible motive she would have had for an act of terror of this caliber. Did this woman act alone, or even of her own volition? The case grows even more strange when the police find three strange objects in the woman’s house – items that don’t belong yet seem placed there with purpose. Mia’s instincts flare. She is certain the objects are a message left behind – it almost seems as if someone is toying with them. Meanwhile, a local journalist receives a horrifying phone call from a man claiming responsibility for the attack:  She was only the first. More will follow, one every 24 hours… The clock is ticking, and it’s ticking fast.

As the hours drag on, the team is running on caffeine and fear, with few leads and mounting pressure as dawn breaks on Sunday morning. When the clock approaches 09:07, a terrified man in a wheelchair is spotted at a local park with a death sentence strapped to his chest. Five. Four. Three. Two. One. All that is left are sprinkled pieces of a body, a life once lived.

Amid the chaos, the police notice a strange man and detain him immediately. In one of his pockets, they find a notebook filled with specific details that only the mastermind behind the bombings would know. Once the man confesses, the nation breathes a sigh of relief. The danger, it seems, has passed. However, when three strange objects are also found on display in the second victim’s home, Mia is certain that the game hasn’t ended. So far, the perpetrator has seemed cunning, intelligent. Why would he then suddenly slip up so badly, as to get himself arrested?

When a third bomb detonates at exactly 09:07 the next day, Mia’s theory proves right. The bomber is still out there – watching, calculating, stringing them along. The team is running out of time, out of leads, and Mia is desperately trying to grasp the clues. Every second brings them closer to the next detonation – will they have enough time to beat the bomber at his own twisted game?

The Bomber is the sixth installment of the Mia and Munch series, set in 2001 after the gripping prequel, The Wolf. Here, Samuel Bjørk takes the readers back to one of Mia and Munch’s very first and most violent cases, serving a masterclass in suspense. With razor-sharp twists and relentless tension, Bjørk returns with an extremely thrilling and fast-paced rollercoaster of a ride.

Extra Materials

cover Holland The Bomber Netherlands, Luitingh-Sijthoff

Reviews

“The premise is original […]. In the best scenes it becomes a rich narrative – not least because of the many characters, through whom Bjørk gives us insight into the complexity of human life. […] The narrative style itself, with its almost telegraphically abrupt sentences, rapid descriptions, and even quicker lines, works surprisingly well.”
Dagbladet (NO)

“[Samuel Bjørk] has never been better than this […] intense suspense with literary qualities. […] There was a captivating energy in [I’m Traveling Alone], and it had an intriguing approach that fascinated me. There, Bjørk provided a gripping backstory for almost every single character, not just investigators and victims, but also minor characters such as witnesses, whom we got to know through short yet nuanced background stories. This approach returns [in The Bomber], now with even more finesse: it gives a noticeable depth to a feverishly narrated story […].”
Adresseavisen, 5 stars (NO)

“[An] explosive suspense novel. […] This is a typical cat-and-mouse game where the killer leaves traces and codes in the victims’ homes. These types of plots aren’t always successful, but Samuel Bjørk has his own distinctive style, and with momentum and clever cliffhangers, he gets the reader’s pulse racing. […] You are propelled forward by short, concise sentences. Bjørk’s ability to bring life to his characters is unparalleled, allowing us to see the outlines of lives lived that you can relate to. Liberatingly free from the stereotypes that unfortunately abound in the world of crime fiction. I’ve read all books by Samuel Bjørk and I’m very enthusiastic.”
Trønder-Avisa, 5/6 stars (NO)

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